Upcoming Events
MFA Thesis Exhibition: Hamish Jackson & Andrew McAllister
Arts/Entertainment
Reception on April 6 from 5-7PM
Hamish Jackson:
Tea Time with the Devil began with the hypothesis that I could create a diverse palette of glazes from one local material. I chose to base my experiments on a granite from Devil’s Playground in western Utah. I collected its bones, hauled them back to USU and crushed them into powder. Each glaze contains at least 50% of the Devil’s granite.This palette resulted from much trial and error — mostly error. Between 2020 and 2023, I ran thousands of glaze tests to formulate and hone these surfaces.
Why this place and material?
The wild landscape of Devil’s Playground captured my imagination and made me want to keep returning. I am truly grateful to this landscape and its rocks. The granite contains a high percentage of silica, as well as some feldspar and mica. Once powdered, it melts into a celadon glaze without adulteration. This was a good starting point: a blank (albeit grey) canvas for experiments.
Why tea wares?
As an Englishman and a walking stereotype, I love tea. Tea brings people together. By sharing tea, we make time to stop, reflect and connect. I am fascinated by the world’s diverse tea traditions and their accompanying ceramic tools. Tea Time with the Devil is inspired by the distinct tea traditions of England, Japan, China, and the American South.
MFA Thesis Exhibition: Hamish Jackson & Andrew McAllister
Arts/Entertainment
Reception on April 6 from 5-7PM
Hamish Jackson:
Tea Time with the Devil began with the hypothesis that I could create a diverse palette of glazes from one local material. I chose to base my experiments on a granite from Devil’s Playground in western Utah. I collected its bones, hauled them back to USU and crushed them into powder. Each glaze contains at least 50% of the Devil’s granite.This palette resulted from much trial and error — mostly error. Between 2020 and 2023, I ran thousands of glaze tests to formulate and hone these surfaces.
Why this place and material?
The wild landscape of Devil’s Playground captured my imagination and made me want to keep returning. I am truly grateful to this landscape and its rocks. The granite contains a high percentage of silica, as well as some feldspar and mica. Once powdered, it melts into a celadon glaze without adulteration. This was a good starting point: a blank (albeit grey) canvas for experiments.
Why tea wares?
As an Englishman and a walking stereotype, I love tea. Tea brings people together. By sharing tea, we make time to stop, reflect and connect. I am fascinated by the world’s diverse tea traditions and their accompanying ceramic tools. Tea Time with the Devil is inspired by the distinct tea traditions of England, Japan, China, and the American South.
MFA Thesis Exhibition: Hamish Jackson & Andrew McAllister
Arts/Entertainment
Reception on April 6 from 5-7PM
Hamish Jackson:
Tea Time with the Devil began with the hypothesis that I could create a diverse palette of glazes from one local material. I chose to base my experiments on a granite from Devil’s Playground in western Utah. I collected its bones, hauled them back to USU and crushed them into powder. Each glaze contains at least 50% of the Devil’s granite.This palette resulted from much trial and error — mostly error. Between 2020 and 2023, I ran thousands of glaze tests to formulate and hone these surfaces.
Why this place and material?
The wild landscape of Devil’s Playground captured my imagination and made me want to keep returning. I am truly grateful to this landscape and its rocks. The granite contains a high percentage of silica, as well as some feldspar and mica. Once powdered, it melts into a celadon glaze without adulteration. This was a good starting point: a blank (albeit grey) canvas for experiments.
Why tea wares?
As an Englishman and a walking stereotype, I love tea. Tea brings people together. By sharing tea, we make time to stop, reflect and connect. I am fascinated by the world’s diverse tea traditions and their accompanying ceramic tools. Tea Time with the Devil is inspired by the distinct tea traditions of England, Japan, China, and the American South.
MFA Thesis Exhibition: Hamish Jackson & Andrew McAllister
Arts/Entertainment
Reception on April 6 from 5-7PM
Hamish Jackson:
Tea Time with the Devil began with the hypothesis that I could create a diverse palette of glazes from one local material. I chose to base my experiments on a granite from Devil’s Playground in western Utah. I collected its bones, hauled them back to USU and crushed them into powder. Each glaze contains at least 50% of the Devil’s granite.This palette resulted from much trial and error — mostly error. Between 2020 and 2023, I ran thousands of glaze tests to formulate and hone these surfaces.
Why this place and material?
The wild landscape of Devil’s Playground captured my imagination and made me want to keep returning. I am truly grateful to this landscape and its rocks. The granite contains a high percentage of silica, as well as some feldspar and mica. Once powdered, it melts into a celadon glaze without adulteration. This was a good starting point: a blank (albeit grey) canvas for experiments.
Why tea wares?
As an Englishman and a walking stereotype, I love tea. Tea brings people together. By sharing tea, we make time to stop, reflect and connect. I am fascinated by the world’s diverse tea traditions and their accompanying ceramic tools. Tea Time with the Devil is inspired by the distinct tea traditions of England, Japan, China, and the American South.
Communitas Lecture Series: Dan Hicks
Arts/Entertainment
Dan Hicks FSA, MCIfA (born 1972) is Professor of Contemporary Archaeology at the University of Oxford, Curator at the Pitt Rivers Museum, and a Fellow of St Cross College, Oxford. Dan works on the material and visual culture of the human past, up to and including the modern, colonial, contemporary and digital world, and on the history of Archaeology, Anthropology Art, and Architecture. His curatorial work has ranged widely, and most recently included the co-curated exhibition and book Lande: the Calais “Jungle” and Beyond in 2019.
MFA Thesis Exhibition: Hamish Jackson & Andrew McAllister
Arts/Entertainment
Reception on April 6 from 5-7PM
Hamish Jackson:
Tea Time with the Devil began with the hypothesis that I could create a diverse palette of glazes from one local material. I chose to base my experiments on a granite from Devil’s Playground in western Utah. I collected its bones, hauled them back to USU and crushed them into powder. Each glaze contains at least 50% of the Devil’s granite.This palette resulted from much trial and error — mostly error. Between 2020 and 2023, I ran thousands of glaze tests to formulate and hone these surfaces.
Why this place and material?
The wild landscape of Devil’s Playground captured my imagination and made me want to keep returning. I am truly grateful to this landscape and its rocks. The granite contains a high percentage of silica, as well as some feldspar and mica. Once powdered, it melts into a celadon glaze without adulteration. This was a good starting point: a blank (albeit grey) canvas for experiments.
Why tea wares?
As an Englishman and a walking stereotype, I love tea. Tea brings people together. By sharing tea, we make time to stop, reflect and connect. I am fascinated by the world’s diverse tea traditions and their accompanying ceramic tools. Tea Time with the Devil is inspired by the distinct tea traditions of England, Japan, China, and the American South.
MFA Thesis Exhibition: Jc Santistevan & Zekiel Betzer
Arts/Entertainment
Apotheosis
Zekiel Dirk Betzer is an oil painter.. His paintings are a visual representation of transfiguration – the elevation of daily life into myth. He draws inspiration from cultural beliefs, objects of personal significance, memories, and dreams to construct scenes which evoke the divine. He believes that, if we defer to monolithic ideologies to narrativize our life, we are prescribed a relationship with the transcendent, rather than discovering it; leading us down the path of ideological possession. He is principally interested in how we, as both artist and audience, invent meaning, and how this invention informs the way we engage with reality; especially how objects or memories become sacred. The purpose of his work is, firstly, to elevate, transform, or recontextualize mundane items; secondly, to arrange these items on canvas in a visually coherent, narrativized way; and lastly, to inspire the same method of transfiguration in the mind of the audience.
Ni de aqui ni de alla...
JC SANTISTEVAN
Ni de aqui ni de alla navigates the complexities of belonging to two cultures–Mexican and American–while not fully identifying with either. By visualizing liminal spaces, migratory patterns, and quotidian subject matter the work serves as a metaphor for the Latinx experience in the United States–an experience defined by conflicts between conformity and resistance, individuality and community, spirituality and secularism, alienation and belonging. “Black and white are the colors of photography...they symbolize the alternatives of hope and despair,” Robert Frank once said, and it is through a nonlinear installation of black and white imagery that I seek to describe the push and pull of both cultures, and how accepting one over the other may lead to a loss of identity, or, a reality of many ways of being.
MFA Thesis Exhibition: Jc Santistevan & Zekiel Betzer
Arts/Entertainment
Apotheosis
Zekiel Dirk Betzer is an oil painter.. His paintings are a visual representation of transfiguration – the elevation of daily life into myth. He draws inspiration from cultural beliefs, objects of personal significance, memories, and dreams to construct scenes which evoke the divine. He believes that, if we defer to monolithic ideologies to narrativize our life, we are prescribed a relationship with the transcendent, rather than discovering it; leading us down the path of ideological possession. He is principally interested in how we, as both artist and audience, invent meaning, and how this invention informs the way we engage with reality; especially how objects or memories become sacred. The purpose of his work is, firstly, to elevate, transform, or recontextualize mundane items; secondly, to arrange these items on canvas in a visually coherent, narrativized way; and lastly, to inspire the same method of transfiguration in the mind of the audience.
Ni de aqui ni de alla...
JC SANTISTEVAN
Ni de aqui ni de alla navigates the complexities of belonging to two cultures–Mexican and American–while not fully identifying with either. By visualizing liminal spaces, migratory patterns, and quotidian subject matter the work serves as a metaphor for the Latinx experience in the United States–an experience defined by conflicts between conformity and resistance, individuality and community, spirituality and secularism, alienation and belonging. “Black and white are the colors of photography...they symbolize the alternatives of hope and despair,” Robert Frank once said, and it is through a nonlinear installation of black and white imagery that I seek to describe the push and pull of both cultures, and how accepting one over the other may lead to a loss of identity, or, a reality of many ways of being.
Interior Architecture and Design Visiting Designer Lectures Series: Caleb Anderson
Arts/Entertainment
Caleb Anderson and Jamie Drake have achieved the highest awards and accolades in the industry, including the prestigious Elle Decor A-List, the Architectural Digest AD1. Drake and Anderson have completed elegant, polished interiors in many of Manhattan’s “it” buildings—including One57, 70 Vestry, 520 Park, and Herzog & de Meuron’s 56 Leonard—as well as in sprawling Hamptons estates, luxurious Malibu beach houses, stately London townhouses, and lush retreats from Bermuda to the Middle East and around the world.00 list, Interior Design magazine’s Hall of Fame, House Beautiful’s Master Class and Next Wave, and many more.
MFA Thesis Exhibition: Jc Santistevan & Zekiel Betzer
Arts/Entertainment
Apotheosis
Zekiel Dirk Betzer is an oil painter.. His paintings are a visual representation of transfiguration – the elevation of daily life into myth. He draws inspiration from cultural beliefs, objects of personal significance, memories, and dreams to construct scenes which evoke the divine. He believes that, if we defer to monolithic ideologies to narrativize our life, we are prescribed a relationship with the transcendent, rather than discovering it; leading us down the path of ideological possession. He is principally interested in how we, as both artist and audience, invent meaning, and how this invention informs the way we engage with reality; especially how objects or memories become sacred. The purpose of his work is, firstly, to elevate, transform, or recontextualize mundane items; secondly, to arrange these items on canvas in a visually coherent, narrativized way; and lastly, to inspire the same method of transfiguration in the mind of the audience.
Ni de aqui ni de alla...
JC SANTISTEVAN
Ni de aqui ni de alla navigates the complexities of belonging to two cultures–Mexican and American–while not fully identifying with either. By visualizing liminal spaces, migratory patterns, and quotidian subject matter the work serves as a metaphor for the Latinx experience in the United States–an experience defined by conflicts between conformity and resistance, individuality and community, spirituality and secularism, alienation and belonging. “Black and white are the colors of photography...they symbolize the alternatives of hope and despair,” Robert Frank once said, and it is through a nonlinear installation of black and white imagery that I seek to describe the push and pull of both cultures, and how accepting one over the other may lead to a loss of identity, or, a reality of many ways of being.
Meg Griffiths: Visiting Artist Lecture
Arts/Entertainment
Meg Griffiths is an artist, professor, independent curator, and co-founder of A Yellow Rose Project, a photographic collaboration of responses, reflections, and reactions to the 19th Amendment from over one hundred women across the United States. She is based in Denton, Texas, where she is Assistant Professor of Photography at Texas Woman’s University. Griffiths’ work has travelled nationally and internationally, and is placed in collections such as Center for Creative Photography, Capitol One Collection, the Museum of Fine Arts Houston, and Center for Fine Art Photography. Her book projects have been acquired by various institutions around the country including the Metropolitan Museum of Art, Yale University Library, Duke University Libraries, Museum of Modern Art, The Getty Research Institute, and is included in the USU Photobook Special Collection.
MFA Thesis Exhibition: Jc Santistevan & Zekiel Betzer
Arts/Entertainment
Apotheosis
Zekiel Dirk Betzer is an oil painter.. His paintings are a visual representation of transfiguration – the elevation of daily life into myth. He draws inspiration from cultural beliefs, objects of personal significance, memories, and dreams to construct scenes which evoke the divine. He believes that, if we defer to monolithic ideologies to narrativize our life, we are prescribed a relationship with the transcendent, rather than discovering it; leading us down the path of ideological possession. He is principally interested in how we, as both artist and audience, invent meaning, and how this invention informs the way we engage with reality; especially how objects or memories become sacred. The purpose of his work is, firstly, to elevate, transform, or recontextualize mundane items; secondly, to arrange these items on canvas in a visually coherent, narrativized way; and lastly, to inspire the same method of transfiguration in the mind of the audience.
Ni de aqui ni de alla...
JC SANTISTEVAN
Ni de aqui ni de alla navigates the complexities of belonging to two cultures–Mexican and American–while not fully identifying with either. By visualizing liminal spaces, migratory patterns, and quotidian subject matter the work serves as a metaphor for the Latinx experience in the United States–an experience defined by conflicts between conformity and resistance, individuality and community, spirituality and secularism, alienation and belonging. “Black and white are the colors of photography...they symbolize the alternatives of hope and despair,” Robert Frank once said, and it is through a nonlinear installation of black and white imagery that I seek to describe the push and pull of both cultures, and how accepting one over the other may lead to a loss of identity, or, a reality of many ways of being.
MFA Thesis Exhibition: Jc Santistevan & Zekiel Betzer
Arts/Entertainment
Apotheosis
Zekiel Dirk Betzer is an oil painter.. His paintings are a visual representation of transfiguration – the elevation of daily life into myth. He draws inspiration from cultural beliefs, objects of personal significance, memories, and dreams to construct scenes which evoke the divine. He believes that, if we defer to monolithic ideologies to narrativize our life, we are prescribed a relationship with the transcendent, rather than discovering it; leading us down the path of ideological possession. He is principally interested in how we, as both artist and audience, invent meaning, and how this invention informs the way we engage with reality; especially how objects or memories become sacred. The purpose of his work is, firstly, to elevate, transform, or recontextualize mundane items; secondly, to arrange these items on canvas in a visually coherent, narrativized way; and lastly, to inspire the same method of transfiguration in the mind of the audience.
Ni de aqui ni de alla...
JC SANTISTEVAN
Ni de aqui ni de alla navigates the complexities of belonging to two cultures–Mexican and American–while not fully identifying with either. By visualizing liminal spaces, migratory patterns, and quotidian subject matter the work serves as a metaphor for the Latinx experience in the United States–an experience defined by conflicts between conformity and resistance, individuality and community, spirituality and secularism, alienation and belonging. “Black and white are the colors of photography...they symbolize the alternatives of hope and despair,” Robert Frank once said, and it is through a nonlinear installation of black and white imagery that I seek to describe the push and pull of both cultures, and how accepting one over the other may lead to a loss of identity, or, a reality of many ways of being.
MFA Thesis Exhibition: Ben Nathan & Marlaina Lutz
Arts/Entertainment
Personal Details by Ben Nathan
Personal Details is an exhibition of mixed media works on paper by artist, Ben Nathan. The art in the exhibition is the culmination of three years of aesthetic inquiry and research done by Ben while earning a Master of Fine Arts degree in Printmaking at USU. Personal Details borrows techniques and materials from Printmaking and Drawing, combined in the interest of creating subtly detailed layers and textures which reflect the artist’s thoughts on childhood, adulthood, and parenthood. Ben’s artistic goal is to produce images that are rich with personal detail, and aesthetically representative of the mental tapestries that he creates for himself when memory and reflection overlap. Each composition has been carefully crafted to portray Ben’s lived experiences through the representation of significant places, spaces, and objects. The works in the exhibition are the fruits of deep introspective thought fueled by memory, experience, and emotion.
A reception will be held Thursday, April 20. from 5 – 7PM.
MFA Thesis Exhibition: Ben Nathan & Marlaina Lutz
Arts/Entertainment
Personal Details by Ben Nathan
Personal Details is an exhibition of mixed media works on paper by artist, Ben Nathan. The art in the exhibition is the culmination of three years of aesthetic inquiry and research done by Ben while earning a Master of Fine Arts degree in Printmaking at USU. Personal Details borrows techniques and materials from Printmaking and Drawing, combined in the interest of creating subtly detailed layers and textures which reflect the artist’s thoughts on childhood, adulthood, and parenthood. Ben’s artistic goal is to produce images that are rich with personal detail, and aesthetically representative of the mental tapestries that he creates for himself when memory and reflection overlap. Each composition has been carefully crafted to portray Ben’s lived experiences through the representation of significant places, spaces, and objects. The works in the exhibition are the fruits of deep introspective thought fueled by memory, experience, and emotion.
A reception will be held Thursday, April 20. from 5 – 7PM.
MFA Thesis Exhibition: Ben Nathan & Marlaina Lutz
Arts/Entertainment
Personal Details by Ben Nathan
Personal Details is an exhibition of mixed media works on paper by artist, Ben Nathan. The art in the exhibition is the culmination of three years of aesthetic inquiry and research done by Ben while earning a Master of Fine Arts degree in Printmaking at USU. Personal Details borrows techniques and materials from Printmaking and Drawing, combined in the interest of creating subtly detailed layers and textures which reflect the artist’s thoughts on childhood, adulthood, and parenthood. Ben’s artistic goal is to produce images that are rich with personal detail, and aesthetically representative of the mental tapestries that he creates for himself when memory and reflection overlap. Each composition has been carefully crafted to portray Ben’s lived experiences through the representation of significant places, spaces, and objects. The works in the exhibition are the fruits of deep introspective thought fueled by memory, experience, and emotion.
A reception will be held Thursday, April 20. from 5 – 7PM.
MFA Thesis Exhibition: Ben Nathan & Marlaina Lutz
Arts/Entertainment
Personal Details by Ben Nathan
Personal Details is an exhibition of mixed media works on paper by artist, Ben Nathan. The art in the exhibition is the culmination of three years of aesthetic inquiry and research done by Ben while earning a Master of Fine Arts degree in Printmaking at USU. Personal Details borrows techniques and materials from Printmaking and Drawing, combined in the interest of creating subtly detailed layers and textures which reflect the artist’s thoughts on childhood, adulthood, and parenthood. Ben’s artistic goal is to produce images that are rich with personal detail, and aesthetically representative of the mental tapestries that he creates for himself when memory and reflection overlap. Each composition has been carefully crafted to portray Ben’s lived experiences through the representation of significant places, spaces, and objects. The works in the exhibition are the fruits of deep introspective thought fueled by memory, experience, and emotion.
A reception will be held Thursday, April 20. from 5 – 7PM.
MFA Thesis Exhibition: Ben Nathan & Marlaina Lutz
Arts/Entertainment
Personal Details by Ben Nathan
Personal Details is an exhibition of mixed media works on paper by artist, Ben Nathan. The art in the exhibition is the culmination of three years of aesthetic inquiry and research done by Ben while earning a Master of Fine Arts degree in Printmaking at USU. Personal Details borrows techniques and materials from Printmaking and Drawing, combined in the interest of creating subtly detailed layers and textures which reflect the artist’s thoughts on childhood, adulthood, and parenthood. Ben’s artistic goal is to produce images that are rich with personal detail, and aesthetically representative of the mental tapestries that he creates for himself when memory and reflection overlap. Each composition has been carefully crafted to portray Ben’s lived experiences through the representation of significant places, spaces, and objects. The works in the exhibition are the fruits of deep introspective thought fueled by memory, experience, and emotion.
A reception will be held Thursday, April 20. from 5 – 7PM.
Highlights Exhibition
Arts/Entertainment
TBA
Highlights Exhibition
Arts/Entertainment
TBA
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